{"id":1565,"date":"2022-11-27T22:58:30","date_gmt":"2022-11-27T19:58:30","guid":{"rendered":"http:\/\/spb-contemporary.ru\/?page_id=1565"},"modified":"2022-11-27T22:58:30","modified_gmt":"2022-11-27T19:58:30","slug":"curating-museums-exhibitions-market","status":"publish","type":"page","link":"https:\/\/spb-contemporary.ru\/?page_id=1565","title":{"rendered":"Curating, Museums, Exhibitions, Market"},"content":{"rendered":"\n

Curating<\/h3>\n\n\n\n
<\/div>\n\n\n\n
A brief history of curating<\/td>Hans Ulrich Obrist<\/td>Artbooks digital<\/td><\/td><\/td><\/tr>
Ways of curating<\/td>Hans Ulrich Obrist<\/td>Farrar, Straus and Giroux<\/td>2014<\/td><\/td><\/tr>
A Companion to Curation<\/td>Ed Brad Buckley, John Conomos<\/td>Wiley Blackwell<\/td>2020<\/td><\/td><\/tr>
Curating revolution: Politics on display in Mao’s China<\/td>Denise Y.Ho<\/td>Cambridge University press<\/td>2018<\/td><\/td><\/tr>
Curationism: How Curating took over the art world and everything else<\/td>David Balzer<\/td>Coach House books, Totonto<\/td>2014<\/td><\/td><\/tr>
Curatopia: Museums and the future of curatorship<\/td>ED Philipp Schorch, Conal McCarthy<\/td>Manchester University press<\/td>2019<\/td><\/td><\/tr>
Curatorial Challenges: Interdisciplinary perspectives on Contemporary Curating<\/td>Ed Malene Vest Hansen, Anne Folke Henningsen, Anne Gregersen<\/td>Routledge<\/td>2019<\/td><\/td><\/tr>
Curation: The power of selection in a world of excess<\/td>Michael Bhaskar<\/td>Piatkus<\/td>2016<\/td><\/td><\/tr>
Commissioning Contemporary art: A handbook for curators, collectors and artists<\/td>Louisa Buck, Daniel Macclean<\/td>Thames&Hudson<\/td>2012<\/td><\/td><\/tr>
Curators: Behind the scenes of Natural History museums <\/td>Lance Grande <\/td>The University of Chicago press<\/td>2017<\/td><\/td><\/tr>
Issues in Curating Contemporary art and Performance<\/td>ED Judith Rugg, Michele Sedgwick<\/td>Intellect<\/td>2007<\/td><\/td><\/tr>
The New Curator<\/td>Fleur Watson<\/td>Routledge<\/td>2021<\/td><\/td><\/tr>
Rethinking curating: Art after new media<\/td>Beryl Graham and Sara Cook<\/td>no data<\/td>2010<\/td><\/td><\/tr>
The future of digital data, heritage and curation in a more-than-human world<\/td>Fiona R.Cameron<\/td>Routledge<\/td>2021<\/td><\/td><\/tr>
Digital curation in the digital humanities: Preserving and promoting archival and special collections<\/td>Arjun Sabharwal<\/td>Elsevier<\/td>2015<\/td><\/td><\/tr>
Inclusive curating in contemporary art: A practical guide<\/td>Jade French<\/td>ARC Humanities Press<\/td>2020<\/td><\/td><\/tr>
Fashion curating: Critical practice in the museum and beyond<\/td>Annamari Va»nska», Hazel Clark<\/td>Bloomsbury<\/td>2018<\/td><\/td><\/tr>
How to write about contemporary art<\/td>Gilda Williams<\/td>Thames&Hudson<\/td><\/td><\/td><\/tr>
A short guide to writing about art<\/td>Sylvan Barnet<\/td>Pearson education\u00a0<\/td>2015<\/td>11th edition<\/td><\/tr>
How to get a job in a museum or art gallery<\/td>Alison Baverstock<\/td>A&C Black, London<\/td>2010<\/td><\/td><\/tr>
Fine Art Publicity: The Complete guide for galleries and artists<\/td>Susan Abbott<\/td>Allworth Press, NY, Art World Press, San Fr<\/td>2005<\/td>1991<\/td><\/tr>
The Artist as Curator<\/td>ED Celina Jeffery<\/td>Intellect<\/td>2015<\/td><\/td><\/tr>
Managing Museums and Galleries<\/td>Michael A. Fopp\u00a0<\/td>Routledge<\/td>2003<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

Exhibitions<\/h3>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
Biennials, Triennials, and documenta: The Exhibitions that created Contemporary art<\/td>Charles Green, Anthony Gardner<\/td>Wiley Blackwell<\/td>2016<\/td><\/td><\/tr>
Exhibitions: Concept, planning and design<\/td>Tom Klobe<\/td>The AAM press\u00a0<\/td>2012<\/td>the American Associations of Museums<\/td><\/tr>
Exhibitions and Showrooms<\/td>no data <\/td>Design Media Publishing<\/td>no data <\/td><\/td><\/tr>
Exhibitions and Displays<\/td>ED Christian Schittich<\/td>Edition Detail, Birkha’user<\/td>2009<\/td><\/td><\/tr>
Exhibition stands<\/td>Arian Mostaedi<\/td>Links international<\/td>2003<\/td><\/td><\/tr>
Exhibition design<\/td>Philip Hughes<\/td>Laurence King Publishing<\/td>2015<\/td><\/td><\/tr>
Exhibition Design<\/td>Pam Locker<\/td>AVA Publishing<\/td>2011<\/td><\/td><\/tr>
Designing Exhibitions<\/td>Bertron, Schwarz, Frey<\/td>Birkhaeuser- Publishers for Architecture<\/td>2006<\/td>German and English parallel text<\/td><\/tr>
Creating Exhibitions: Collaboration in the Planning, Development and Design<\/td>Polly McKenna-Cress, Janet A. Kamien\u00a0<\/td>Wiley\u00a0<\/td>2013<\/td><\/td><\/tr>
Exhibiting Photography<\/td>Shirley Read<\/td>Elsevier<\/td>2008<\/td><\/td><\/tr>
Exhibiting the past: Historical memory and the politics of museums in postsocialist China<\/td>Kirk A. Denton<\/td>University of Hawaii press<\/td>2014<\/td><\/td><\/tr>
Exhibiting cultures: The Poetics and politics of Museum display<\/td>ED Ivan Karp, Steven D.\u00a0 Lavine\u00a0<\/td>Smithsonian Institution press<\/td>1991<\/td><\/td><\/tr>
Exhibition experiments<\/td>ED Sharon Macdonald, Paul Basu<\/td>Blackwell Publishing<\/td>2007<\/td><\/td><\/tr>
Spaces of Experience: Art gallery interiors from 1800 to 2000<\/td>Charlotte Klonk<\/td>Yale University press<\/td>2009<\/td><\/td><\/tr>
Inside the white cube: The ideology of the gallery space<\/td>Brian O’Doherty<\/td>The Lapis press<\/td>1986<\/td>magazine article 1976<\/td><\/tr>
What are exhibitions for? An anthroppological approach<\/td>Inge Daniels<\/td>Bloomsbury<\/td>2020<\/td><\/td><\/tr>
Thinking about exhibitions<\/td>ED Reesa Greenberg, Bruce W.Ferguson, Sandy Nairne<\/td>Routledge<\/td>2005<\/td>first 1996<\/td><\/tr>
The Art of Museum Exhibitions: How Story and Imagination create Aesthetic Experiences<\/td>Leslyie Bedford<\/td>Walnut Creek\u00a0<\/td>2014<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Museums <\/h3>\n\n\n\n
<\/div>\n\n\n\n
Museum revolutions: How museums change and are changed<\/td>ED Simon J. Knell, Suzanne MacLeod, Sheila Watson<\/td>Routledge<\/td>2007<\/td><\/td><\/tr>
The Birth of the Museum: History, theory, politics<\/td>Tony Bennett<\/td>Routledge<\/td>1995<\/td><\/td><\/tr>
The Museum age<\/td>Germain Bazin <\/td>Universe books <\/td>1967<\/td><\/td><\/tr>
Museum scepticism: A history of the display of art in public galleries<\/td>David Carrier<\/td>Duke University press<\/td>2006<\/td><\/td><\/tr>
Museums in motion: An introduction to the history and functions of museums<\/td>Edward P. Alexander, Mary Alexander<\/td>AltaMira press<\/td>2008<\/td><\/td><\/tr>
Museums in the Material World<\/td>ED Simon J. Knell<\/td>Routledge<\/td>2007<\/td><\/td><\/tr>
New Museum Theory and Practice: An Introduction<\/td>ED Janet Marstine<\/td>Blackwell Publishing<\/td>2006<\/td><\/td><\/tr>
Foundations of Museum Studies: Evolving Systems of knowledge<\/td>Kiersten F. Latham, John E. Simmons <\/td>Libraries Unlimited<\/td>2014<\/td><\/td><\/tr>
Post-ctitical museology: Theory and practice in the art museum<\/td>Andrew Dewdney, David Dibosa, Victoria Walsh<\/td>Routledge<\/td>2013<\/td><\/td><\/tr>
Collecting, ordering, governing: Anthropology, museums, and liberal government<\/td>collective<\/td>Duke University press<\/td>2017<\/td><\/td><\/tr>
Theorizing museums<\/td>ED Sharon Macdonald, Gordon Fyfe<\/td>Blackwell Publishing<\/td>1999<\/td>first 1996<\/td><\/tr>
The New Museology<\/td>ED Peter Vergo<\/td>Reaktion books<\/td>2006<\/td>first 1989<\/td><\/tr>
The Future of museums<\/td>ED Gerald Blast, Elias J. Carayannis, David F. J. Campbell<\/td>Springer<\/td>2018<\/td><\/td><\/tr>
Re-Imagining the Museum: Beyond the Mausoleum<\/td>Andrea Witcomb<\/td>Routledge<\/td>2003<\/td><\/td><\/tr>
Museums inside out: artists collaboration and new exhibition ecologies<\/td>Mark W. Rectanus<\/td>University of Minnesota press<\/td>2020<\/td><\/td><\/tr>
A Companion to Museum Studies<\/td>ED Sharon Macdonald<\/td>Blackwell Publishing<\/td>2006<\/td><\/td><\/tr>
Reshaping museum space: Architecture, design, exhibitions<\/td>Ed Suzanne MacLeod<\/td>Routledge<\/td>2005<\/td><\/td><\/tr>
Museum display design<\/td>Jasmin Yu<\/td>Design Media Publishing<\/td><\/td><\/td><\/tr>
Museum Exhibition: Theory and Practice<\/td>David Dean<\/td>Routledge<\/td>2002<\/td>Leicester Readers in Museum studies, first 1994<\/td><\/tr>
Interpreting objects and collections<\/td>ED Susan M. Pearce<\/td>Routledge<\/td>2003<\/td>Leicester Readers in Museum studies<\/td><\/tr>
Museum objects: Experiencing the properties of things<\/td>Ed Sandra H.Dudley<\/td>Routledge<\/td>2012<\/td><\/td><\/tr>
Stuffed animals and pickled heads: The culture and evolution of Natural history museums<\/td>Stephen T.Asma<\/td>Open University press<\/td>2001<\/td><\/td><\/tr>
Art in Museums 5<\/td>ED Susan M. Pearce<\/td>Athlone Press, London<\/td>1995<\/td>New Research in Museum Studies series<\/td><\/tr>
Civilizing rituals: Inside public art museums<\/td>Carol Duncan<\/td>Routledge<\/td>2006<\/td><\/td><\/tr>
The politics of museums<\/td>Clive Gray <\/td>Palgrave MacMillan<\/td>2015<\/td><\/td><\/tr>
Museum Politics<\/td>Timothy W. Luke\u00a0<\/td>University of Minnesota press<\/td>2002<\/td><\/td><\/tr>
The politics of display: Museums, science, culture<\/td>ED Sharon Macdonald<\/td>Routledge<\/td>2010<\/td><\/td><\/tr>
Museums after Modernism:Strategies of engagement<\/td>ED Griselda Pollock, Joyce Zemans<\/td>Blackwell Publishing<\/td>2007<\/td><\/td><\/tr>
Making representations: Museums in the Post-Colonial era<\/td>Moira G. Simpson<\/td>Routledge<\/td>1996<\/td><\/td><\/tr>
Colonialism and the Object: Empire, material culture and the museum<\/td>ED Tim Barringer, Tom Flynn<\/td>Routledge<\/td>1998<\/td><\/td><\/tr>
Sensible objects: Colonialism, museums and material culture<\/td>Ed Elizabeth Edwards, Chris Gosden, Ruth B. Philips <\/td>Berg (Oxford)<\/td>2006<\/td><\/td><\/tr>
Objects and others: Essays on museums and material culture<\/td>ED George W.Stocking Jr<\/td>The University of Wisconsin press<\/td>1985<\/td><\/td><\/tr>
Of muses, museums and museology<\/td>Ed Manvi Seth<\/td>Shubhi Publications<\/td>2018<\/td><\/td><\/tr>
Hands-on Exhibitions: Managing interactive museums and science centres<\/td>Tim Caulton<\/td>Routledge<\/td>1988<\/td><\/td><\/tr>
Museum activism<\/td>ED Robert R. Janes, Richard Sandell<\/td>Routledge<\/td>2019<\/td><\/td><\/tr>
Museums and Education: purpose, pedagogy, performance<\/td>Eilean Hooper-Greenhill\u00a0<\/td>Routledge<\/td>2007<\/td><\/td><\/tr>
Museums and the shaping of knowledge<\/td>Eilean Hooper-Greenhill\u00a0<\/td>Routledge<\/td>1992<\/td><\/td><\/tr>
Museum volunteers: Good practice in the management of volunteers<\/td>Sinclair Goodlad, Stephanie McIvor<\/td>Routledge<\/td>1998<\/td><\/td><\/tr>
Museum experience design: crowds. Ecosystems and novel technologies<\/td>ED A. Vermeeren, L. Calvi, Amalia Sabiescu<\/td>Springer<\/td>2018<\/td><\/td><\/tr>
Museum making: Narratives, architectures, exhibitions<\/td>ED Suzanne MacLeod, Laura Hourston Hanks, Jonathan Hale<\/td>Routledge<\/td>2012<\/td><\/td><\/tr>
Museums, media and cultural theory<\/td>Michelle Henning<\/td>Open University press<\/td>2006<\/td><\/td><\/tr>
The Responsive Museum: Working with audiences in the 21th century<\/td>ED Caroline Lang, John Reeve, Vicky Woollard<\/td>Ashgate<\/td>2006<\/td><\/td><\/tr>
Identity and the museum visitor experience<\/td>John H. Falk <\/td>Routledge<\/td>2016<\/td><\/td><\/tr>
Museums and Communities: Curators, Collections and Collaboration<\/td>ED Viv Golding, Wayne Modest<\/td>Bloomsbury<\/td>2013<\/td><\/td><\/tr>
Museum learning: Theory and research as tools for enhancing practice<\/td>Jill Hohenstein, Theano Moussouri<\/td>Routledge<\/td>2018<\/td><\/td><\/tr>
Visitor-centered exhibitions and edu-curation in art museums<\/td>ED Pat Villeneuve, Ann Rowson Love<\/td>Rowman&Littlefield<\/td>2017<\/td><\/td><\/tr>
Adult education, museums and art galleries<\/td>collective<\/td>Sense publishers<\/td>2016<\/td><\/td><\/tr>
Museum management<\/td>ED Kevin Moore<\/td>Routledge<\/td>2005<\/td>Leicester Readers in Museum studies, first 1994<\/td><\/tr>
Museum Management and Marketing<\/td>ED Richard Sandell, Robert R.Janes<\/td>Routledge<\/td>2007<\/td><\/td><\/tr>
Museum marketing and strategy<\/td>Neil J.Kotler, Philip Kotler, Wendy I. Kotler <\/td>Jossey Bass\/ Wiley<\/td>2008<\/td><\/td><\/tr>
Collections management<\/td>ED Anne Fahy<\/td>Routledge<\/td>2005<\/td>Leicester Readers in Museum studies, first 1995<\/td><\/tr>
\u042d\u043a\u0441\u043a\u0443\u0440\u0441\u0438\u044f \u043a\u0430\u043a \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e<\/td>\u042e.\u041d.\u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440\u043e\u0432<\/td>\u041c, \u0411\u0435\u0440\u043b\u0438\u043d, \u0414\u0438\u0440\u0435\u043a\u0442-\u043c\u0435\u0434\u0438\u0430<\/td>2020<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

Markets, sociology and critics<\/h3>\n\n\n\n
<\/div>\n\n\n\n
Big bucks: The Explosion of the art market in the 21st century<\/td>Georgina Adams <\/td>Lund humphries, London<\/td>2014<\/td><\/td><\/tr>
Art from the swamp: How Washington buraucrats squander millions on awful art<\/td>Bruce Cole<\/td>Encounter books<\/td>2018<\/td><\/td><\/tr>
The orange baloon dog: Bubbles, turmoil and avarice in the contemporary art market<\/td>Don Thompson<\/td>Aurum press\/Quarto publishing<\/td>2018<\/td><\/td><\/tr>
Art at the Auction in 17th century Amsterdam<\/td>John Michael Montias<\/td>Amsterdam University press<\/td>2002<\/td><\/td><\/tr>
Strange business: Making art and money in 19th cen England<\/td>James Hamilton<\/td>Atlantic books<\/td>2014<\/td><\/td><\/tr>
Possession: A curiuos history of private collectors from Antiquity to the present<\/td>Erin L. Thompson<\/td>Yale University press<\/td>2016<\/td><\/td><\/tr>
Researching art markets: Past, present and the tools for the future<\/td>ED Elisabetta Lazzaro, Nathalie Moureau, Adriana Turpin<\/td>Routledge<\/td>2021<\/td><\/td><\/tr>
The International Art Markets<\/td>ED James Goodwin<\/td>Kogan Page<\/td>2008<\/td><\/td><\/tr>
Il sistema dell’arte contemporanea<\/td>Francesco Poli<\/td>Editori Laterza<\/td>2011<\/td><\/td><\/tr>
Dark side of the Boom: The excesses of the Art market in the 21th century<\/td>Giorgina Adam<\/td>Lund humphries, London<\/td>2017<\/td><\/td><\/tr>
Seven days in the art world<\/td>Sarah Thornton<\/td>W.W.Norton& Co<\/td>2008<\/td><\/td><\/tr>
Boom: Mad money, Mega dealers, and the rise of contemporary art<\/td>Michael Shnayerson<\/td>Public affaires (Perseus)<\/td>2019<\/td><\/td><\/tr>
Consumer behaviour and the arts: A marketing perspective<\/td>FranCois Colbert, Alain d’Astous<\/td>Routledge<\/td>2022<\/td><\/td><\/tr>
Art of the Deal: Contemporary art in a Global Financial Market<\/td>Noah Horowitz<\/td>Princeton University Press<\/td>2011<\/td><\/td><\/tr>
How to buy and sell Art<\/td>Michael Reid<\/td>Allen &Unwin<\/td>2004<\/td><\/td><\/tr>
The Value of art: Money, power, beauty<\/td>Michael Findley\u00a0<\/td>Prestel Verlag<\/td>2012<\/td><\/td><\/tr>
New art, New markets<\/td>Iain Robertson<\/td>Lund humphries, London<\/td>2018<\/td><\/td><\/tr>
The Global Contemporary art world<\/td>Jonathan Harris<\/td>Wiley Blackwell<\/td>2017<\/td><\/td><\/tr>
Strategic management in the arts<\/td>Lidia Varbanova<\/td>Routledge<\/td>2013<\/td><\/td><\/tr>
Le marche’ de l’art contemporain<\/td>Nathalie Moureau, Dominique Sagot-Duvauroux<\/td>La decouverte<\/td>2016<\/td><\/td><\/tr>
Handbook of the economics of art and culture<\/td>David Throsby<\/td>Princeton University Press<\/td>2004<\/td><\/td><\/tr>
Fine art and high finance: Expert advice on the economics of ownership<\/td>ED Clare McAndrew<\/td>Bloomberg press<\/td>2010<\/td><\/td><\/tr>
The Economics of Contemporary Art: Markets, Strategies, and Stardom<\/td>Alessia Zorloni<\/td>Berlin, Springer Verlag<\/td>2013<\/td><\/td><\/tr>
Visual arts and the Law<\/td>Judith B. Prowda<\/td>Lund humphries, London<\/td>2013<\/td><\/td><\/tr>
Fabjob Guide to: Become an art gallery owner<\/td>Brenna Pearce, Mitchell Warren<\/td>FabJob<\/td>2009<\/td><\/td><\/tr>
How to start and run a commercial art gallery<\/td>Edward Winkleman, Patton Hindle<\/td>NY, Allworth press<\/td>2018<\/td><\/td><\/tr>
Selling contemporary art: How to navigathe the evolving market<\/td>Edward Winkleman<\/td>Allworth Press, NY<\/td>2015<\/td><\/td><\/tr>
Talking Prices: Symbolic meanings of prices on the market for contemporary art<\/td>Olav Velthuis<\/td>Princeton University Press<\/td>2005<\/td><\/td><\/tr>
Understanding international art markets and management<\/td>Ed Iain Robertson<\/td>Routledge<\/td>2005<\/td><\/td><\/tr>
\u0412\u043e\u0441\u043f\u043e\u043c\u0438\u043d\u0430\u043d\u0438\u044f \u0442\u043e\u0440\u0433\u043e\u0432\u0446\u0435\u0432 \u043a\u0430\u0440\u0438\u043d\u0430\u043c\u0438<\/td>\u041f\u043e\u043b\u044c \u0414\u044e\u0440\u0430\u043d-\u0420\u044e\u044d\u043b\u044c, \u0410\u043c\u0431\u0440\u0443\u0430\u0437 \u0412\u043e\u043b\u043b\u0430\u0440<\/td>\u0421\u041f\u0431, \u0410\u0437\u0431\u0443\u043a\u0430-\u0410\u0442\u0442\u0438\u043a\u0443\u0441<\/td>2018<\/td><\/td><\/tr>
\u0413\u0430\u043b\u0435\u0440\u0435\u044f \u0430\u0444\u0435\u0440\u0438\u0441\u0442\u043e\u0432: \u0418\u0441\u0442\u043e\u0440\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0438 \u0442\u0435\u0445, \u043a\u0442\u043e \u0435\u0433\u043e \u043f\u0440\u043e\u0434\u0430\u0435\u0442<\/td>\u0424\u0438\u043b\u0438\u043f \u0425\u0443\u043a<\/td>\u0421\u041f\u0431, \u0410\u0437\u0431\u0443\u043a\u0430-\u0410\u0442\u0442\u0438\u043a\u0443\u0441<\/td>2018<\/td><\/td><\/tr>
\u0417\u0430\u0432\u0442\u0440\u0430\u043a \u0443 Sotheby’s: \u041c\u0438\u0440 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u043e\u0442 \u0410 \u0434\u043e \u042f<\/td>\u0424\u0438\u043b\u0438\u043f \u0425\u0443\u043a<\/td>\u0421\u041f\u0431, \u0410\u0437\u0431\u0443\u043a\u0430-\u0410\u0442\u0442\u0438\u043a\u0443\u0441<\/td>2015<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

Curating A brief history of curating Hans Ulrich Obrist Artbooks digital Ways of curating Hans Ulrich Obrist Farrar, Straus and Giroux 2014 A Companion…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1517,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1565","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages\/1565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1565"}],"version-history":[{"count":62,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages\/1565\/revisions"}],"predecessor-version":[{"id":1653,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages\/1565\/revisions\/1653"}],"up":[{"embeddable":true,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages\/1517"}],"wp:attachment":[{"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}