{"id":1823,"date":"2022-12-09T01:42:54","date_gmt":"2022-12-08T22:42:54","guid":{"rendered":"http:\/\/spb-contemporary.ru\/?page_id=1823"},"modified":"2022-12-09T01:45:07","modified_gmt":"2022-12-08T22:45:07","slug":"%d1%85%d1%83%d0%b4%d0%be%d0%b6%d0%bd%d0%b8%d0%ba%d0%b8-20-%d0%b2%d0%b5%d0%ba-%d0%b1%d0%b8%d0%be%d0%b3%d1%80%d0%b0%d1%84%d0%b8%d0%b8-%d0%b0%d0%bb%d1%8c%d0%b1%d0%be%d0%bc%d1%8b-%d1%82%d0%b5%d0%ba","status":"publish","type":"page","link":"https:\/\/spb-contemporary.ru\/?page_id=1823","title":{"rendered":"\u0425\u0443\u0434\u043e\u0436\u043d\u0438\u043a\u0438 20 \u0432\u0435\u043a: \u0411\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0438, \u0430\u043b\u044c\u0431\u043e\u043c\u044b, \u0442\u0435\u043a\u0441\u0442\u044b"},"content":{"rendered":"\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>Alberto Giacometti: The art of relation&nbsp;<\/td><td>Tim Mathews&nbsp;<\/td><td>I.B.Tauris&nbsp;<\/td><td>2014<\/td><td><\/td><\/tr><tr><td>Alberto Giacometti, Asc\u00e8se et passion<\/td><td>Anca Visdei<\/td><td>Odile Jacob<\/td><td>2019<\/td><td><\/td><\/tr><tr><td>Andy Warhol<\/td><td>Klaus Honnef&nbsp;<\/td><td>Taschen<\/td><td>2000<\/td><td><\/td><\/tr><tr><td>Andy Warhol<\/td><td>Eric Shanes<\/td><td>Sirrocco\/Confidential concepts<\/td><td><\/td><td><\/td><\/tr><tr><td>Basquiat: A quick killing in art<\/td><td>Phoebe Hoban&nbsp;<\/td><td>Open Road, NY<\/td><td>1998<\/td><td>\u0435\u0441\u0442\u044c \u043f\u0435\u0440\u0435\u0432\u043e\u0434 \u043a\u043d\u0438\u0433\u0438 \u043d\u0430 \u0438\u0442\u0430\u043b\u044c\u044f\u043d\u0441\u043a\u0438\u0439<\/td><\/tr><tr><td>Jean-Michel Basquiat<\/td><td>Michel Nuridsany<\/td><td>Flammarion&nbsp;<\/td><td>2015<\/td><td><\/td><\/tr><tr><td>Jean-Michel Basquiat: A biography<\/td><td>Eric Fretz<\/td><td>Greenwood<\/td><td>2010<\/td><td><\/td><\/tr><tr><td>Balthus (1908-2001): The king of cats<\/td><td>Gilles Neret<\/td><td>Taschen&nbsp;<\/td><td>2003<\/td><td><\/td><\/tr><tr><td>Georges Braque: A life<\/td><td>Alex Danchev<\/td><td>Arcade Publishing, NY<\/td><td>2011<\/td><td>first 2005<\/td><\/tr><tr><td>L&#8217;opera completa di Georges Braque<\/td><td>ED Marco Valsecchi, Massimo Carra<\/td><td>Rizzoli editori<\/td><td>1971<\/td><td><\/td><\/tr><tr><td>Botero&nbsp;<\/td><td>Mariana Hanstein<\/td><td>Taschen<\/td><td>2007<\/td><td>in Spanish<\/td><\/tr><tr><td>Bill Viola&nbsp;<\/td><td>Arturo Galanzino<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Burri<\/td><td>Guiliano Serafini<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Louise Bourgeois<\/td><td>Marie-Laure Bernadac<\/td><td>Flammarion&nbsp;<\/td><td>2019<\/td><td><\/td><\/tr><tr><td>Cattelan<\/td><td>Ludovico Pratesi<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Maurizio Cattelan: All<\/td><td>catalogue&nbsp;<\/td><td>Solomon R.Guggenheim musuem&nbsp;<\/td><td>2011<\/td><td><\/td><\/tr><tr><td>David Hockney<\/td><td>Marco Livingstone<\/td><td>Thames&amp;Hudson<\/td><td>2019<\/td><td>first 1981<\/td><\/tr><tr><td>David Hockney: The biography, 1937-1975<\/td><td>Cristopher Simon Sykes<\/td><td>Nan A.Talese\/Random House<\/td><td>2011<\/td><td><\/td><\/tr><tr><td>De Chirico&nbsp;<\/td><td>Virginia Bertoni<\/td><td>L&#8217;Unita, Arnoldo Mondatori arte<\/td><td>1992<\/td><td><\/td><\/tr><tr><td>Memorie della mia vita&nbsp;<\/td><td>Giorgio de Chirico&nbsp;<\/td><td>Tascabili Bompiani&nbsp;<\/td><td>2008<\/td><td><\/td><\/tr><tr><td>Diego Rivera: His Art and his passions<\/td><td>Gerry Souter<\/td><td>Parkstone publishing<\/td><td><\/td><td><\/td><\/tr><tr><td>Duchamp<\/td><td>Maurizio Calvesi<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Duchamp: Art as Anti-Art<\/td><td>Janis Mink<\/td><td>Taschen<\/td><td>2004<\/td><td><\/td><\/tr><tr><td>Dialogues with Marcel Duchamp<\/td><td>Pierre Cabanne&nbsp;<\/td><td>Da Capo Press<\/td><td>1987<\/td><td><\/td><\/tr><tr><td>Edward Hopper: Light and dark<\/td><td>Gerry Souter<\/td><td>Parkstone press, Confidential concepts<\/td><td><\/td><td><\/td><\/tr><tr><td>Edward Hopper: Transformation of the Real<\/td><td>Rolf G\u00fcnter Renner<\/td><td>Benedikt Taschen<\/td><td>1990<\/td><td><\/td><\/tr><tr><td>Emil Nolde: Die farben sind meine noten<\/td><td>Kirsten Ju&#8217;ngling<\/td><td>Ullstein Buchverlage, Berlin<\/td><td>2013<\/td><td><\/td><\/tr><tr><td>Mein Leben<\/td><td>Emil Nolde<\/td><td>DuMont Buchverlag, Koln<\/td><td>1996<\/td><td>first 1976<\/td><\/tr><tr><td>August Macke&nbsp;<\/td><td>August Macke, Walter Cohen&nbsp;<\/td><td>Parkstone press, Confidential concepts<\/td><td><\/td><td><\/td><\/tr><tr><td>Hopper<\/td><td>Orietta Rossi Pinelli<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Fabre<\/td><td>Jean Blanchaert<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Fontana<\/td><td>Paolo Campiglio<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Franz Marc<\/td><td>Klaus H.Carl, Franz Marc<\/td><td>Parkstone press, Confidential concepts<\/td><td><\/td><td><\/td><\/tr><tr><td>Tamara de Lempicka<\/td><td>ED Giancarlo Marmori<\/td><td>Che^ne<\/td><td>1978<\/td><td><\/td><\/tr><tr><td>Tamara de Lempicka<\/td><td>Patrick Bade<\/td><td><br>Parkstone press, Confidential concepts<\/td><td><\/td><td><\/td><\/tr><tr><td>Georgia O&#8217;Keeffe<\/td><td>Gerry Souter<\/td><td>Parkstone press, Confidential concepts<\/td><td><\/td><td><\/td><\/tr><tr><td>How Georgia became O&#8217;Keeffe<\/td><td>Karen Karbo<\/td><td><\/td><td>2012<\/td><td><\/td><\/tr><tr><td>Giorgio Morandi: The art of silence<\/td><td>Janet Abramowicz<\/td><td>Yale University press<\/td><td>2004<\/td><td><\/td><\/tr><tr><td>Grosz<\/td><td>Antonello Negri<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Kirchner<\/td><td>Klaus H.Carl<\/td><td>Sirrocco\/Confidential concepts<\/td><td><\/td><td><\/td><\/tr><tr><td>Haring<\/td><td>Renato Barilli<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Kandinskij<\/td><td>Eva di Stefano<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Kandinskij<\/td><td>Piera Giovanna Tordella&nbsp;<\/td><td>L&#8217;Unita\/ Elemond arte<\/td><td>1992<\/td><td><\/td><\/tr><tr><td>Kandinskij<\/td><td>Mikhail Guerman&nbsp;<\/td><td>Sirrocco\/Confidential concepts<\/td><td><\/td><td><\/td><\/tr><tr><td>Kandinsky: Russian and Bauhaus years, 1915-1933<\/td><td>catalogue&nbsp;<\/td><td>Solomon R.Guggenheim musuem&nbsp;<\/td><td>1983<\/td><td><\/td><\/tr><tr><td>Paul Klee<\/td><td>Paul Klee<\/td><td>Parkstone press, Confidential concepts<\/td><td><\/td><td><\/td><\/tr><tr><td>Paul Klee<\/td><td>Eva Stahn<\/td><td>Hallwag Verlag Bern und Stuttgart<\/td><td>1973<\/td><td><\/td><\/tr><tr><td>Paul Klee<\/td><td>ED Carolyn Lanchner<\/td><td>MoMA<\/td><td>1987<\/td><td><\/td><\/tr><tr><td>Paul Klee<\/td><td>Sandra Forty&nbsp;<\/td><td>TAJ books<\/td><td><\/td><td><\/td><\/tr><tr><td>Paul Klee und der Ferne Osten<\/td><td>ED Osamu Okuda, Marie Kakinuma<\/td><td>Scheidegger&amp;Spiess<\/td><td>2012<\/td><td><\/td><\/tr><tr><td>Paul Klee. Collector&#8217;s Edition art gallery&nbsp;<\/td><td>Nancy Davis<\/td><td>Davis art center<\/td><td>2014<\/td><td><\/td><\/tr><tr><td>Paul Klee, Analyse S\u00e9miotique de Trois Peintures<\/td><td>Felix Th\u00fcrlemann<\/td><td>L&#8217;age D&#8217;Homme<\/td><td>1982<\/td><td><\/td><\/tr><tr><td>Paul Klee on Modern art<\/td><td>Intro Herbert Read&nbsp;<\/td><td>Faber and Faber, London<\/td><td><\/td><td><\/td><\/tr><tr><td>Paul Klee Notebooks, Vol 1. The thinking eye<\/td><td>Paul Klee<\/td><td>Lund Humphries<\/td><td>1973<\/td><td>first 1956<\/td><\/tr><tr><td>Francis Bacon: Revelations<\/td><td>Mark Stevens, Annalyn Swan<\/td><td>William Collins<\/td><td>2021<\/td><td><\/td><\/tr><tr><td>Lucian Freud<\/td><td>Marco Fagioli<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>The lives of Lucian Freud: Youth<\/td><td>William Feaver<\/td><td>Bloomsbury publishing<\/td><td>2019<\/td><td><\/td><\/tr><tr><td>The lives of Lucian Freud: The restless years, 1922-1968<\/td><td>William Feaver<\/td><td>Alfred A. Knopf, NY<\/td><td>2019<\/td><td><\/td><\/tr><tr><td>M.C. Escher. Book of boxes<\/td><td><\/td><td>Taschen<\/td><td><\/td><td><\/td><\/tr><tr><td>The graphic work of M.C.Escher<\/td><td><\/td><td>NY, Ballantine Books<\/td><td>1975<\/td><td><\/td><\/tr><tr><td>Escher<\/td><td>Marco Bussagli<\/td><td>Giunti<\/td><td><\/td><td>Art dossier<\/td><\/tr><tr><td>Max Ernst<\/td><td>Gaston Diehl<\/td><td>Crown Publishers, NY<\/td><td>1973<\/td><td><\/td><\/tr><tr><td>Max Ernst and Alchemy: A magician in search of myth<\/td><td>M.E.Warlick<\/td><td>University of Texas press<\/td><td>2001<\/td><td><\/td><\/tr><tr><td>Matisse<\/td><td><\/td><td>Sirrocco\/Confidential concepts<\/td><td><\/td><td><\/td><\/tr><tr><td>Matisse<\/td><td>Nicholas Watkins<\/td><td>Phaidon<\/td><td>1977<\/td><td><\/td><\/tr><tr><td>Matisse and Picasso<\/td><td>Yve-Alain Bois<\/td><td>Flammarion&nbsp;<\/td><td>1998<\/td><td><\/td><\/tr><tr><td>Matisse and Picasso: The story of their rivalry and friendship<\/td><td>Jack Flam&nbsp;<\/td><td>Westview<\/td><td>2003<\/td><td><\/td><\/tr><tr><td>Matisse on art<\/td><td>Jack D. Flam&nbsp;<\/td><td>E.P.Dutton, NY<\/td><td>1973<\/td><td><\/td><\/tr><tr><td>The Unknown Matisse: The life of Henri Matisse, vol 1<\/td><td>Hilary Spurling&nbsp;<\/td><td>Penguin books<\/td><td>2000<\/td><td><\/td><\/tr><tr><td>Matisse in the collection of the Museum of Modern Art<\/td><td>John Elderfield<\/td><td>MoMA<\/td><td>1978<\/td><td><\/td><\/tr><tr><td>Matisse &#171;Uno splendore inaudito&#187;<\/td><td>Xavier Gerard<\/td><td>Electa\/Gallimard<\/td><td>1996<\/td><td><\/td><\/tr><tr><td>Miro&#8217;<\/td><td>Jacques Lassaigne<\/td><td>Skira<\/td><td>1963<\/td><td><\/td><\/tr><tr><td>Miro&#8217;<\/td><td>Michele Dantini<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Calder: The conquest of time. The early years, 1898-1940<\/td><td>Jed Perl<\/td><td>Alfred A. Knopf, NY<\/td><td>2017<\/td><td><\/td><\/tr><tr><td>Calder: The conquest of space. The later years, 1940-1976<\/td><td>Jed Perl<\/td><td>Alfred A. Knopf, NY<\/td><td>2020<\/td><td><\/td><\/tr><tr><td>Modigliani<\/td><td>Giorgio Cortenova<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Magritte: A Life<\/td><td>Alex Danchev<\/td><td>Pantheon Books (Penguin Random House)<\/td><td>2020<\/td><td><\/td><\/tr><tr><td>Magritte<\/td><td>Michel Draguet<\/td><td>Gallimard<\/td><td>2014<\/td><td><\/td><\/tr><tr><td>Critical Lives: Rene Magritte&nbsp;<\/td><td>Patricia Allmer<\/td><td>Reaktion<\/td><td>2019<\/td><td><\/td><\/tr><tr><td>Rene Magritte. Die Beschaffenheit des Menschen<\/td><td>Axel Mu&#187;ller<\/td><td>Insel Verlag<\/td><td>2019<\/td><td><\/td><\/tr><tr><td>Mondrian<\/td><td>Italo Tomassoni<\/td><td>Hamlyn<\/td><td>1970<\/td><td><\/td><\/tr><tr><td>Mondrian&#8217;s philosophy of visual rhythm<\/td><td>Eiichi Tosaki<\/td><td>Springer<\/td><td>2017<\/td><td><\/td><\/tr><tr><td>Morandi<\/td><td>Marilena Pasquale<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Pablo Picasso<\/td><td>Anatoli Podoksik<\/td><td>Sirrocco\/Confidential concepts<\/td><td><\/td><td><\/td><\/tr><tr><td>Pablo Picasso: Genius of the century<\/td><td>Ingo F. Walther<\/td><td>Barnes&amp;Noble\/Taschen<\/td><td>2001<\/td><td><\/td><\/tr><tr><td>Picasso<\/td><td>Carsten-Peter Warncke<\/td><td>Taschen<\/td><td>2001<\/td><td><\/td><\/tr><tr><td>Picasso<\/td><td>Alfonso Panzetta<\/td><td>I&#8217;Unita\/Elemond arte<\/td><td>1992<\/td><td><\/td><\/tr><tr><td>Picasso&nbsp;<\/td><td>Gertrude Stein<\/td><td>Bacon Press<\/td><td>1959<\/td><td>first 1938<\/td><\/tr><tr><td>Picasso: The making of cubism, 1912-1914<\/td><td>Anne Umland, Blair Hartzell, Scott Gerson<\/td><td>MoMA<\/td><td><\/td><td><\/td><\/tr><tr><td>Picasso and truth: From Cubism to Guernica<\/td><td>T.J.Clark<\/td><td>Princeton University press<\/td><td>2013<\/td><td><\/td><\/tr><tr><td>And Picasso painted Guernica<\/td><td>Alain Serres&nbsp;<\/td><td>Allen Unwin&nbsp;<\/td><td>2010<\/td><td><\/td><\/tr><tr><td>Picasso and the chess player<\/td><td>Larry Witham<\/td><td>University of New England<\/td><td>2013<\/td><td><\/td><\/tr><tr><td>Rauschenberg<\/td><td>Guiliano Serafini<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Robert Rauschenberg combines<\/td><td>catalogue&nbsp;<\/td><td>The Museum of Contemporary Art, LA<\/td><td>2005<\/td><td><\/td><\/tr><tr><td>Robert Rauschenberg&nbsp;<\/td><td>Sam Hunter<\/td><td>Rizzoli editori<\/td><td>1999<\/td><td><\/td><\/tr><tr><td>Robert Rauschenberg Graphic Art<\/td><td>catalogue&nbsp;<\/td><td><\/td><td>1970<\/td><td><\/td><\/tr><tr><td>Lichtenstein<\/td><td>Janis Hendrickson<\/td><td>Taschen&nbsp;<\/td><td>1989<\/td><td><\/td><\/tr><tr><td>Ricahrd Serra<\/td><td>ED Hal Foster, Gordon Hughes<\/td><td>The MIT Press<\/td><td>2000<\/td><td>October Files<\/td><\/tr><tr><td>Schiele<\/td><td>Eva di Stefano<\/td><td>Giunti<\/td><td>Art dossier<\/td><td><\/td><\/tr><tr><td>Kokoschka<\/td><td>J.P.Hodin<\/td><td>New Yoir Graphic Society<\/td><td>1966<\/td><td><\/td><\/tr><tr><td>Jackson Pollock<\/td><td>Frank O&#8217;Hara<\/td><td>Pickle Partners Publishing&nbsp;<\/td><td>2015<\/td><td>first 1959, The great American artists series<\/td><\/tr><tr><td>Jackson Pollock: An American saga<\/td><td>Steven Naifeh, Gregory White Smith<\/td><td>William Morris Endeavor Entertainment<\/td><td>2014<\/td><td><\/td><\/tr><tr><td>Jackson Pollock<\/td><td>Clare Oliver<\/td><td>Franklin Watts<\/td><td>2003<\/td><td><\/td><\/tr><tr><td>Jackson Pollock<\/td><td>Evelyn Toynton&nbsp;<\/td><td>Yale University Press<\/td><td>2012<\/td><td><\/td><\/tr><tr><td>Jackson Pollock<\/td><td>Donald Wigal&nbsp;<\/td><td>Parkstone press, Confidential concepts<\/td><td><\/td><td>2 \u0432\u0435\u0440\u0441\u0438\u0438, \u0430\u043d\u0433\u043b. \u0438 \u0438\u0441\u043f.<\/td><\/tr><tr><td>Jackson Pollock: Energia resa visibile<\/td><td>B.H.Friedman<\/td><td>Johan&amp;Levi<\/td><td>2015<\/td><td><\/td><\/tr><tr><td>Jackson Pollock et sa famille: Lettres ame&#8217;ricaines<\/td><td>Francesca Pollock, Michel Cre&#8217;pu<\/td><td>Grasset<\/td><td><\/td><td>Les cahiers rouges<\/td><\/tr><tr><td>Jackson Pollock: A biography<\/td><td>Deborah Solomon<\/td><td>Simon and Schuster<\/td><td>1987<\/td><td><\/td><\/tr><tr><td>Jackson Pollock: New approaches<\/td><td>ED Kirk Varnedoe, Pepe Karmel<\/td><td>MoMA, Harry N.Abrams&nbsp;<\/td><td>1999<\/td><td><\/td><\/tr><tr><td>De Kooning: An American master<\/td><td>Mark Stevens, Annalyn Swan<\/td><td>no data<\/td><td><\/td><td><\/td><\/tr><tr><td>Willem De Kooning. Nonstop cherchez la femme<\/td><td>Rosalind E. Krauss<\/td><td>The University of Chicago press<\/td><td>2015<\/td><td><\/td><\/tr><tr><td>Gordon Matta-Clark: Art, architecture and the attack on modernism<\/td><td>Stephen Walker<\/td><td>I.B.Tauris&nbsp;<\/td><td>2009<\/td><td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:27px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Alberto Giacometti: The art of relation&nbsp; Tim Mathews&nbsp; I.B.Tauris&nbsp; 2014 Alberto Giacometti, Asc\u00e8se et passion Anca Visdei Odile Jacob 2019 Andy Warhol Klaus Honnef&nbsp;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1517,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1823","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages\/1823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1823"}],"version-history":[{"count":32,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages\/1823\/revisions"}],"predecessor-version":[{"id":1860,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages\/1823\/revisions\/1860"}],"up":[{"embeddable":true,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages\/1517"}],"wp:attachment":[{"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}