{"id":1922,"date":"2023-01-04T23:46:40","date_gmt":"2023-01-04T20:46:40","guid":{"rendered":"http:\/\/spb-contemporary.ru\/?page_id=1922"},"modified":"2023-01-04T23:57:46","modified_gmt":"2023-01-04T20:57:46","slug":"%d0%b8%d1%81%d0%ba%d1%83%d1%81%d1%81%d1%82%d0%b2%d0%be-%d0%b4%d1%80%d0%b5%d0%b2%d0%bd%d0%b5%d0%b3%d0%be-%d0%bc%d0%b8%d1%80%d0%b0","status":"publish","type":"page","link":"https:\/\/spb-contemporary.ru\/?page_id=1922","title":{"rendered":"\u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u0414\u0440\u0435\u0432\u043d\u0435\u0433\u043e \u043c\u0438\u0440\u0430"},"content":{"rendered":"\n

\u041a\u0443\u043b\u044c\u0442\u0443\u0440\u0430, \u0438\u0441\u0442\u043e\u0440\u0438\u044f, \u0441\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f, \u043e\u0442\u0434\u0435\u043b\u044c\u043d\u044b\u0435 \u0432\u043e\u043f\u0440\u043e\u0441\u044b \u043f\u043e \u0414\u0440\u0435\u0432\u043d\u0435\u043c\u0443 \u043c\u0438\u0440\u0443 — \u0421\u042e\u0414\u0410<\/a><\/p>\n\n\n\n

\u041f\u0440\u043e\u0438\u0441\u0445\u043e\u0436\u0434\u0435\u043d\u0438\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430. \u0414\u0440\u0435\u0432\u043d\u0435\u0439\u0448\u0435\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e<\/h3>\n\n\n\n
<\/div>\n\n\n\n
\u041f\u0440\u043e\u0438\u0441\u0445\u043e\u0436\u0434\u0435\u043d\u0438\u0435 \u0438\u0437\u043e\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430<\/td>\u0410.\u0414. \u0421\u0442\u043e\u043b\u044f\u0440 <\/td>\u041c, \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e <\/td>1985<\/td><\/td><\/tr>
\u0414\u0440\u0435\u0432\u043d\u0435\u0439\u0448\u0438\u0439 \u043e\u0431\u0440\u0430\u0437 \u0447\u0435\u043b\u043e\u0432\u0435\u043a\u0430<\/td>\u0417.\u0410.\u0410\u0431\u0440\u0430\u043c\u043e\u0432\u0430<\/td>\u0421\u041f\u0431, \u0421\u041f\u0431 \u0432\u043e\u0441\u0442\u043e\u043a\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u0435<\/td>2010<\/td>\u041a\u0430\u0442\u0430\u043b\u043e\u0433 \u043f\u043e \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0430\u043c \u043f\u0430\u043b\u0435\u043e\u043b\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0415\u0432\u0440\u043e\u043f\u044b<\/td><\/tr>
A field guide to rock art symbols of the Greater Southwest<\/td>Alex Patterson <\/td>Johnson books <\/td>1992<\/td>bad quality-grid<\/td><\/tr>
Ancient ruins and rock art of the Southwest<\/td>David Grant Noble <\/td>Taylor Trade publishing <\/td>2015<\/td><\/td><\/tr>
Bushman rock art: An interpretive quide <\/td>Tim Forssman, Lee Gutteridge <\/td>Southbound <\/td>2012<\/td><\/td><\/tr>
Cave art<\/td>Bruno David<\/td>Thames&Hudson<\/td>2017<\/td><\/td><\/tr>
Deciphering Ancien minds: The Mystery of San bushman rock art<\/td>David Lewis-Williams, Sam Challis <\/td>Thames&Hudson<\/td>2011<\/td><\/td><\/tr>
\u0414\u0440\u0435\u0432\u043d\u0435\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u0432 \u0437\u0435\u0440\u043a\u0430\u043b\u0435 \u0430\u0440\u0445\u0435\u043e\u043b\u043e\u0433\u0438\u0438<\/td>\u0441\u0431\u043e\u0440\u043d\u0438\u043a \u0441\u0442\u0430\u0442\u0435\u0439<\/td>\u041a\u0435\u043c\u0435\u0440\u043e\u0432\u043e<\/td>2011<\/td><\/td><\/tr>
Great basin rock art: Archaeological perspectives<\/td>ED Angus R. Quinlan<\/td>University of Nevada press<\/td>2007<\/td><\/td><\/tr>
Il paleolitico: cacciatori e artisti della Preistoria<\/td>Denis Vialou<\/td>Universale Electa\\Gallimard<\/td>1997<\/td><\/td><\/tr>
Image and audience: Rethinkung Prehistoric art<\/td>Richard Bradley <\/td>Oxford University Press<\/td>2009<\/td><\/td><\/tr>
Megaliths and identities <\/td>ED Martin Furholt. Friedrich Lu»th, Johannes Mu’ller<\/td>Dr Rudolph Habelt <\/td>2011<\/td><\/td><\/tr>
Native North American Art<\/td>Janet C.Berlo, Ruth B. Phillips<\/td>Oxford University Press<\/td>1998<\/td>Oxford History of Art<\/td><\/tr>
Legacy on stone: Rock art of the Colorado plateau and Four corners region<\/td>Sally J.Cole <\/td>Johnson books <\/td>1990<\/td>bad quality-grid<\/td><\/tr>
Plains Indian Rock Art<\/td>James D.Keyser, Michael A.Klassen <\/td>University of Washington press<\/td>2001<\/td><\/td><\/tr>
Prehistoric rock art <\/td>Marinella Terzi<\/td>Childrens press, Chicago<\/td>1992<\/td><\/td><\/tr>
Prehistoric rock art in Scandinavia: Agency and environmental change <\/td>Courtney Nimura<\/td>Oxbow books<\/td>2016<\/td><\/td><\/tr>
Reading rock art: Interpreting the Indian rock paintings of the Canadian shield<\/td>Grace Rajnovich<\/td>Natural heritage\/natural history<\/td>1994<\/td><\/td><\/tr>
Rock art and regional identity: A Comparative perspective<\/td>Jamie Hampson<\/td>Left Coast press<\/td>2015<\/td><\/td><\/tr>
Rock art and sacred landscapes <\/td>Donna L.Gillette and others <\/td>Springer<\/td>2014<\/td><\/td><\/tr>
Rock art and the prehistory of Atlantic Europe: Signing the land <\/td>Richard Bradley<\/td>Routledge<\/td>2005<\/td><\/td><\/tr>
What is paleolithic art?<\/td>Jean Clottes<\/td>The University of Chicago press<\/td><\/td><\/td><\/tr>
Seeing and knowing: Understanding rock art with and without ethnography<\/td>ED Geoffrey Blundell, C.Chippindale, B. Smith <\/td>Routledge<\/td>2016<\/td>first 2010<\/td><\/tr>
The first artists: In search of the world’s oldest art<\/td>Michel Lorblanchet, Paul Bahn<\/td>Thames&Hudson<\/td>2017<\/td><\/td><\/tr>
The oldest enigma of humanity: The key to the mystery of the Paleolithic cave paintings <\/td>Bertrand David, Jean Jacques Lefre’re<\/td>Arcade publishing <\/td>2014<\/td><\/td><\/tr>
The White Shaman mural <\/td>Carolyn E. Boyd<\/td>University of Texas press<\/td>2016<\/td><\/td><\/tr>
Visionary animal: Rock art from Southern Africa<\/td>Renaud Ego <\/td>Wits University press<\/td>2019<\/td><\/td><\/tr>
Origins and revolutions: Human identity in earliest prehistory<\/td>Clive Gamble <\/td>Cambridge University Press<\/td>2007<\/td><\/td><\/tr>
Termites of the gods: San cosmology in Southern African rock art<\/td>Siyakha Mguni <\/td>Wits University press<\/td>2015<\/td><\/td><\/tr>
The significance of monuments on the shaping of human experience in Neolithic and Bronze Age Europe <\/td>Richard Bradley <\/td>Routledge<\/td>1998<\/td><\/td><\/tr>
Picturing the Bronze age <\/td>ED Peter Skoglund, Johan Ling, Ulf Bertilsson<\/td>Oxbow books<\/td>2015<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

\u0414\u0440\u0435\u0432\u043d\u0438\u0439 \u0415\u0433\u0438\u043f\u0435\u0442<\/h3>\n\n\n\n
<\/div>\n\n\n\n
\u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u0414\u0440\u0435\u0432\u043d\u0435\u0433\u043e \u0415\u0433\u0438\u043f\u0442\u0430<\/td>\u0410\u043d\u0434\u0440\u0435\u0439 \u041f\u0443\u043d\u0438\u043d<\/td>\u0421\u041f\u0431, \u0410\u0437\u0431\u0443\u043a\u0430 -\u043a\u043b\u0430\u0441\u0441\u0438\u043a\u0430<\/td>2008<\/td>\u041d\u043e\u0432\u0430\u044f \u0438\u0441\u0442\u043e\u0440\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432<\/td><\/tr>
The British Museum dictionary of Ancient Egypt <\/td>Ian Shaw, Paul Nicholson <\/td>The British museum press<\/td>1995<\/td><\/td><\/tr>
Cosmologia egizia: L’universo animato<\/td>Moustafa Gadallo <\/td>Tehuti Research Foundation <\/td>no data<\/td><\/td><\/tr>
\u0415\u0433\u0438\u043f\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u043e\u0440\u0442\u0440\u0435\u0442 1-4 \u0432\u0432<\/td>\u0412.\u0412.\u041f\u0430\u0432\u043b\u043e\u0432<\/td>\u041c, \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e <\/td>1967<\/td>\u0418\u0437 \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u043c\u0438\u0440\u043e\u0432\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430<\/td><\/tr>
\u0424\u0430\u044e\u043c\u0441\u043a\u0438\u0435 \u043f\u043e\u0440\u0442\u0440\u0435\u0442\u044b, \u0432 3 \u0447\u0430\u0441\u0442\u044f\u0445<\/td>\u043f\u043e\u0434\u0431\u043e\u0440\u043a\u0430 \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u0439<\/td><\/td><\/td><\/td><\/tr>
\u0421\u043e\u043a\u0440\u043e\u0432\u0438\u0449\u0430 \u0415\u0433\u0438\u043f\u0442\u0430: \u0418\u043b\u043b\u044e\u0441\u0442\u0440\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0439 \u043f\u0443\u0442\u0435\u0432\u043e\u0434\u0438\u0442\u0435\u043b\u044c \u043f\u043e \u0415\u0433\u0438\u043f\u0435\u0442\u0441\u043a\u043e\u043c\u0443 \u043c\u0443\u0437\u0435\u044e \u0432 \u041a\u0430\u0438\u0440\u0435 <\/td>\u0420\u0435\u0434 \u0410. \u0411\u043e\u043d\u0434\u0436\u043e\u0430\u043d\u043d\u0438, \u041c.\u0421\u043e\u043b\u0435 \u041a\u0440\u043e\u0447\u0435<\/td>\u0410\u0441\u0442, \u0410\u0441\u0442\u0440\u0435\u043b\u044c <\/td>2003<\/td><\/td><\/tr>
Egyptian art<\/td>Jaromir Malek <\/td>Phaidon <\/td>no data <\/td>Art&Ideas<\/td><\/tr>
Egyptian art<\/td>Cyril Aldred<\/td>Thames&Hudson<\/td>1980<\/td>World of Art<\/td><\/tr>
Egyptian wall paintings<\/td>Charles K.Wilkinson <\/td>The Met museum press<\/td>1983<\/td><\/td><\/tr>
Gifts for the Gods: Images from Egyptian temples <\/td>Ed Marsha Hill<\/td>The Met museum press, Yale Press<\/td>2007<\/td><\/td><\/tr>
Proportion and style in Ancient Egyptian Art<\/td>Gay Robins<\/td>University of Texas press<\/td>1994<\/td><\/td><\/tr>
Atlas of Egyptian art<\/td>Prisse d’Avennes<\/td>A Zeitouna Book, Cairo<\/td>2000<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

\u041f\u0435\u0440\u0435\u0434\u043d\u044f\u044f \u0410\u0437\u0438\u044f<\/h3>\n\n\n\n
<\/div>\n\n\n\n
Art of the Ancient Near East: A resource for educators<\/td>Kim Benzel, Sarah B.Graff, Yelena Rakic, Edith W.Watts<\/td>The Met museum press<\/td>2010<\/td><\/td><\/tr>
La Mesopotamia: Dalla scrittura all’archeologia <\/td>ED Martine Buysschaert<\/td>Electa\/Gallimard<\/td>1993<\/td><\/td><\/tr>
La Mesopotamia: Arte e Architettura<\/td>Zainab Bahrani <\/td>Einaudi <\/td>no data <\/td><\/td><\/tr>
Gods, Demons and Symbols of Ancient Mesopotamia: An illustrated dictionary <\/td>Jeremy Black, Anthony Green<\/td>The British Museum Press<\/td>1992<\/td><\/td><\/tr>
The art of the ancient Near East <\/td>Seton Lloyd<\/td>Praeger, Thames&Hudson<\/td>1961<\/td><\/td><\/tr>
The art of Ancient Mesopotamia <\/td>Anton Moortgat<\/td>Phaidon <\/td>1969<\/td>1967<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

\u0414\u0440\u0435\u0432\u043d\u044f\u044f \u0413\u0440\u0435\u0446\u0438\u044f. (\u0412\u043a\u043b\u044e\u0447\u0430\u044f \u042d\u0433\u0435\u0439\u0441\u043a\u043e\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u0438 \u043a\u0440\u0438\u0442\u043e-\u043c\u0438\u043a\u0435\u043d\u0441\u043a\u0438\u0435 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b)<\/h3>\n\n\n\n
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A Companion to Greek art, vol 1<\/td>ED Tyler Jo Smith, Dimitris Plantzos<\/td>Wiley Blackwell<\/td>2012<\/td><\/td><\/tr>
A History of Greek art<\/td>Mark D. Stansbury-O’Donnell<\/td>Wiley Blackwell<\/td>2015<\/td><\/td><\/tr>
Greek art<\/td>John Boardman <\/td>Thames&Hudson<\/td>2016<\/td><\/td><\/tr>
A history of Greek art <\/td>F.B.Tarbell <\/td>\u0431\u0435\u0437 \u0434\u0430\u043d\u043d\u044b\u0445 <\/td>1924<\/td>1896<\/td><\/tr>
Arte greca<\/td>Giorgio Bejor, Marina Castoldi, Claudia Lambrugo<\/td>Mondadori universita <\/td>2013<\/td><\/td><\/tr>
\u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u0414\u0440\u0435\u0432\u043d\u0435\u0439 \u0413\u0440\u0435\u0446\u0438\u0438<\/td>\u041b\u044e\u0434\u043c\u0438\u043b\u0430 \u0410\u043a\u0438\u043c\u043e\u0432\u0430<\/td>\u0421\u041f\u0431, \u0410\u0437\u0431\u0443\u043a\u0430 -\u043a\u043b\u0430\u0441\u0441\u0438\u043a\u0430<\/td>2007<\/td>\u041d\u043e\u0432\u0430\u044f \u0438\u0441\u0442\u043e\u0440\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432<\/td><\/tr>
\u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u0414\u0440\u0435\u0432\u043d\u0435\u0439 \u0413\u0440\u0435\u0446\u0438\u0438<\/td>\u0411.\u0420.\u0412\u0438\u043f\u043f\u0435\u0440<\/td>\u041c, \u041d\u0430\u0443\u043a\u0430<\/td>1972<\/td><\/td><\/tr>
\u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u042d\u0433\u0435\u0439\u0441\u043a\u043e\u0433\u043e \u043c\u0438\u0440\u0430 \u0438 \u0414\u0440\u0435\u0432\u043d\u0435\u0439 \u0413\u0440\u0435\u0446\u0438\u0438<\/td>\u042e.\u0414. \u041a\u043e\u043b\u043f\u0438\u043d\u0441\u043a\u0438\u0439 <\/td>\u041c, \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e <\/td>1970<\/td>\u041f\u0430\u043c\u044f\u0442\u043d\u0438\u043a\u0438 \u043c\u0438\u0440\u043e\u0432\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430<\/td><\/tr>
Early Cycladic Sculpture in context <\/td>ED Marisa Marthari, Colin Renfrew, Michael J.Boyd<\/td>Oxbow Books<\/td>2017<\/td><\/td><\/tr>
Beyond the Cyclades: Early Cycladic sculpture in context\u2026<\/td>ED Marisa Marthari, Colin Renfrew, Michael J.Boyd<\/td>Oxbow Books<\/td>2019<\/td><\/td><\/tr>
Early Cycladic Sculpture<\/td>Pat Getz-Preziosi<\/td>The J. Paul Getty Museum <\/td>1994<\/td><\/td><\/tr>
Archaic and Classical Greek Art<\/td>Robin Osborne<\/td>Oxford University Press<\/td>1998<\/td>Oxford History of Art<\/td><\/tr>
Architecture of Minoan Crete<\/td>John C. McEnroe<\/td>University of Texas press<\/td>2010<\/td><\/td><\/tr>
The palace of Minos at Knossos<\/td>Chris Scarre, Rebecca Stefoff<\/td>Oxford University press<\/td>2003<\/td>no images<\/td><\/tr>
Rethinking Mycenaean palaces II<\/td>Michael L.Galaty, William A. Parkinson <\/td>University of California press<\/td>2007<\/td><\/td><\/tr>
Minoan religion: Ritual, Image, and Symbol<\/td>Nanno Marinatos <\/td>University of South California press<\/td>1993<\/td><\/td><\/tr>
Minoan and Mycenaean Art <\/td>Reynold Higgins <\/td>Oxford University press<\/td>1981<\/td><\/td><\/tr>
Greek architecture<\/td>A.W. Lawrence<\/td>Yale University press<\/td>1996<\/td>Pelican history of art, 1957<\/td><\/tr>
Greek architecture<\/td>Allan Marquand<\/td>Macmillan <\/td>1909<\/td><\/td><\/tr>
The archaeology of Athens<\/td>John M.Camp <\/td>Yale University press<\/td>2001<\/td><\/td><\/tr>
The Parthenon <\/td>Mary Beard<\/td>Profile books<\/td>2004<\/td>2002<\/td><\/tr>
The Parthenon enigma<\/td>Joan Breton Connelly <\/td>Alfred A.Knopf<\/td>2014<\/td><\/td><\/tr>
The theatre of Dionysus in Athens <\/td>A.W. Pickard-Cambridge<\/td>Caledon press, Oxford <\/td>1946<\/td><\/td><\/tr>
Structure, image, ornament: Architectural sculpture in the Greek world<\/td>ED Peter Schultz, Ralf von den Hoff<\/td>Oxbow Books <\/td>2009<\/td><\/td><\/tr>
Prayers in stone: Greek architectural sculpture<\/td>Brunilde Sismondo Ridgway <\/td>University of California press<\/td>1999<\/td>bad-quality-grid <\/td><\/tr>
Greek fortifications of Asia Minor 500-130 BC<\/td>Konstantin S. Nossov <\/td>Osprey Publishing<\/td>2009<\/td><\/td><\/tr>
Greek Sanctuaries: New approaches <\/td>ED Nanno Marinatos, Robin Ha»gg <\/td>Routledge <\/td>1993<\/td><\/td><\/tr>
I Templi Greci <\/td>H.Berve, G. Gruben, M.Hirmer<\/td>G.C.Sansoni editore <\/td>1962<\/td><\/td><\/tr>
The architecture of Alexandria and Egypt 300 BC-AD 700<\/td>Judith McKenzie<\/td>Yale university press <\/td>2007<\/td><\/td><\/tr>
Greek Geometric Pottery <\/td>J.N. Goldstream <\/td>Bristol Phoenix Press<\/td>no data <\/td><\/td><\/tr>
Early Greek vase painting <\/td>John Boardman <\/td>Thames&Hudson<\/td>1998<\/td>World of art<\/td><\/tr>
Greek vase painting <\/td>Dietrich von Bothmer<\/td>The MET Museum press<\/td>1987<\/td>1972<\/td><\/tr>
The transformation of Athens: Painted pottery and the creation of classical Greece<\/td>Robin Osborne<\/td>Princeton University press<\/td>2018<\/td><\/td><\/tr>
Greek vase painting and the origins of visual humour <\/td>Alexandre G. Mitchell <\/td>Cambridge University press<\/td>2009<\/td>bad quality <\/td><\/tr>
Greek vases in the J.Paul Getty Museum, Vol 6<\/td>no data<\/td>the J. Paul Getty Museum press<\/td>2000<\/td><\/td><\/tr>
The Amasis painter and his world: Vase-painting in 6th-cen BC Athens <\/td>Dietrich von Bothmer<\/td>The J.Paul Getty Museum, Thames&Hudson<\/td>1985<\/td><\/td><\/tr>
The Derveni krater: Masterpiece of classical Greek metalwork <\/td>Beryl Barr-Sharrar<\/td>The American School of Classical studies at Athens<\/td>2008<\/td><\/td><\/tr>
The Sarpedon krater: The life and Afterlife of a Greek vase<\/td>Nigel Spivey <\/td>Apollo<\/td>2018<\/td><\/td><\/tr>
Greek sculpture: The Late Classical period<\/td>John Boardman <\/td>Thames&Hudson<\/td>1995<\/td>World of art<\/td><\/tr>
Greek sculpture: The Archaic period <\/td>John Boardman <\/td>Thames&Hudson<\/td>1978<\/td>World of art<\/td><\/tr>
Greek sculpture: The Classical period <\/td>John Boardman <\/td>Thames&Hudson<\/td>1985<\/td>World of art<\/td><\/tr>
Greek sculpture<\/td>Nigel Spivey<\/td>Cambridge University Press<\/td>2013<\/td><\/td><\/tr>
Greek sculpture <\/td>Mark D. Fullerton <\/td>Wiley Blackwell<\/td>2016<\/td><\/td><\/tr>
Understanding Greek sculpture<\/td>Nigel Spivey<\/td>Thames&Hudson<\/td>1996<\/td><\/td><\/tr>
Greek sculpture<\/td>Edmund von Mach<\/td>NY, Parkstone Int<\/td><\/td><\/td><\/tr>
The Greek miracle: Classical sculpture from the dawn of democracy <\/td>Diana Buitron-Oliver<\/td>National Gallery of Art, Washington<\/td>1992<\/td><\/td><\/tr>
From Pergamon to Sperlonga: Sculpture and context<\/td>ED Nancy T. de Grummond, Brunilde S. Ridgway <\/td>University of California Press<\/td>2000<\/td><\/td><\/tr>
Kouroi: Archaic Greek Youths <\/td>Gisela M.A. Richter <\/td>Phaidon <\/td>1970<\/td>1960<\/td><\/tr>
I Bronzi di Riace<\/td>Sergio Rinaldi Tufi<\/td>Guinti<\/td><\/td>Art dossier<\/td><\/tr>
The Aphrodite of Knidos and her successors<\/td>Christine Mitchell Havelock<\/td>The University of Michigan press<\/td>2007<\/td><\/td><\/tr>
The Emergence of the Classical style in Greek sculpture<\/td>Richard Neer<\/td>The University of Chicago press<\/td>2010<\/td><\/td><\/tr>
The technique of Greek sculpture in the Archaic and Classical periods<\/td>Sheila Adam <\/td>Thames&Hudson <\/td>1966<\/td><\/td><\/tr>
Vasi Ateniesi a figure nere: Un manuale <\/td>John Boardman <\/td>Rusconi Arte<\/td>1998<\/td>first 1990<\/td><\/tr>
Art and the Early Greek state: An Interpretive archaeology<\/td>Michael Shanks<\/td>Cambridge University Press<\/td>1999<\/td><\/td><\/tr>
Greek art and aesthetics in the 4th century BC<\/td>William A.P. Childs<\/td>Princeton University press<\/td>2018<\/td><\/td><\/tr>
Word and image in Ancient Greece<\/td>ED N.Keith Rutter, Brian A. Sparkes<\/td>Edinburgh University press<\/td>2000<\/td><\/td><\/tr>
The image of the artist in Archaic and Classical Greece<\/td>Guy Hedreen <\/td>Cambridge University Press<\/td>2016<\/td><\/td><\/tr>
Art in the Hellenistic Age <\/td>J. J. Pollitt<\/td>Cambridge University Press<\/td>1988<\/td>1986<\/td><\/tr>
Art in the Hellenistic World: An Introduction <\/td>Andrew Stewart <\/td>Cambridge University Press<\/td>2014<\/td><\/td><\/tr>
Modes of viewing in Hellenistic poetry and art<\/td>Graham Zanker<\/td>The university of Wisconsin press<\/td>2004<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

\u0414\u0440\u0435\u0432\u043d\u0438\u0439 \u0420\u0438\u043c (\u0412\u043a\u043b\u044e\u0447\u0430\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u044d\u0442\u0440\u0443\u0441\u043a\u043e\u0432 \u0438 \u0433\u0440\u0435\u043a\u043e-\u0440\u0438\u043c\u0441\u043a\u043e\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e). \u041e\u0431\u0449\u0438\u0435 \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0430\u043d\u0442\u0438\u0447\u043d\u043e\u0433\u043e \u043c\u0438\u0440\u0430<\/h3>\n\n\n\n
<\/div>\n\n\n\n
A companion to Roman architecture<\/td>ED Roger B.Ulrich, Caroline K. Quenemoen<\/td>Wiley Blackwell<\/td>2014<\/td><\/td><\/tr>
Angoli di Roma: Guida inconsueta alla citta antica<\/td>Andrea Carandini<\/td>Editori Laterza<\/td>2016<\/td><\/td><\/tr>
Roma antica: Tra mito e scoperta<\/td>no data<\/td>Universale Electa\\Gallimard<\/td>no data<\/td><\/td><\/tr>
Pagan city and Christian Capital: Rome in the 4th century<\/td>John Curran<\/td>Oxford University Press<\/td>2000<\/td><\/td><\/tr>
Tardo Impero: Arte romana al tempo di Costantino <\/td>Gemma Sena Chiesa<\/td>Guinti<\/td><\/td>Art dossier<\/td><\/tr>
Imperial rome and Christian Triumth: The art of the Roman Empire, AD 100-450<\/td>Jas Elsner<\/td>Oxford University Press<\/td>1998<\/td>Oxford History of Art<\/td><\/tr>
Pompeii: The life of a Roman town <\/td>Mary Beard<\/td>Profile books<\/td>2008<\/td><\/td><\/tr>
Pompei: La Citta sepolta<\/td>Robert Etienne<\/td>Universale Electa\\Gallimard<\/td>no data<\/td><\/td><\/tr>
Cities of Vesuvius: Pmpeii&Herculaneum <\/td>Michael Grant <\/td>Penguin Books<\/td>1978<\/td>1971<\/td><\/tr>
Roman architecture and urbanism: From the origins to Late Antiquity<\/td>Fikret Yegu»l, Diane Favro<\/td>Cambridge University Press<\/td>2019<\/td><\/td><\/tr>
The architecture of the Roman Empire:An introductory study<\/td>William M. MacDonald<\/td>Yale University press<\/td>1982<\/td>1965<\/td><\/tr>
The architecture of the Roman Empire: An urban appraisal <\/td>William M. MacDonald<\/td>Yale University press<\/td>1986<\/td><\/td><\/tr>
Pmpeii&Herculaneum: A sourcebook <\/td>ED Alison E.Cooley,  M.G. L. Cooley <\/td>Routledge <\/td>2014<\/td>2004<\/td><\/tr>
Pompeii: Art, industry and Infrastucture<\/td>ED Eric Poehler, Miko Flohr, Kevin Cole <\/td>Oxbow Books <\/td>2011<\/td><\/td><\/tr>
Pompeii in the public imagination: From its rediscovery to today<\/td>ED Shelley Hales, Joanna Paul<\/td>Oxford University press<\/td>2011<\/td><\/td><\/tr>
The complete Pompeii<\/td>Joanne Berry <\/td>Thames&Hudson<\/td>2007<\/td><\/td><\/tr>
Roman villas in Central Italy: A social and economic history<\/td>Annalisa Marzano<\/td>Brill<\/td>2007<\/td><\/td><\/tr>
Roman architecture in Provence<\/td>James C.Anderson, Jr<\/td>Cambridge university press<\/td>2013<\/td><\/td><\/tr>
The column of Marcus Aurelius: The genesis&meaning of a Roman imperial monument <\/td>Martin Beckmann <\/td>The University of North Calilfornia press<\/td>2011<\/td><\/td><\/tr>
The Domus Aurea and the Roman architectural revolution <\/td>Larry F. Ball <\/td>Cambridge University press<\/td>2003<\/td><\/td><\/tr>
The Roman forum: A reconstruction and architectural guide<\/td>Gilbert J.Gorski, James E. Packer<\/td>Cambridge University press<\/td>2015<\/td><\/td><\/tr>
The Colosseum<\/td>Mary Beard, Keith Hopkins<\/td>Profile books<\/td>2011<\/td>2005<\/td><\/tr>
\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0430\u043d\u0442\u0438\u0447\u043d\u043e\u0439 \u0413\u0440\u0435\u0446\u0438\u0438 \u0438 \u0430\u043d\u0442\u0438\u0447\u043d\u043e\u0433\u043e \u0420\u0438\u043c\u0430<\/td>\u0410.\u0410.\u041c\u0443\u0441\u0430\u0442\u043e\u0432<\/td>\u041c,\u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430-\u0421<\/td>2006<\/td><\/td><\/tr>
Vitruvius. Ten books on architecture<\/td>Vitruvius<\/td>Cambridge, Harvard Un-ty<\/td>1914<\/td><\/td><\/tr>
Roman architecture<\/td>Frank Sear<\/td>Routledge <\/td>2021<\/td>1982<\/td><\/tr>
Roman architecture: A Visual guide<\/td>Diana E.E.Kleiner <\/td>Yale University press<\/td>2014<\/td><\/td><\/tr>
Roman Imperial architecture<\/td>J.B. Ward-Perkins <\/td>Yale University press<\/td>1981<\/td>1970., Pelican History of art<\/td><\/tr>
Greco-Roman cities of Aegean Turkey: History, archaeology, architecture<\/td>Henry Matthews <\/td>no data<\/td>2014<\/td><\/td><\/tr>
Innovating vaulting in the architecture of the Roman Empire, 1-4cen CE<\/td>Lynne C. Lancaster <\/td>Cambridge University Press<\/td>2015<\/td><\/td><\/tr>
Concrete vaulted construction in Imperial Rome: Innovations in context<\/td>Lynne C. Lancaster <\/td>Cambridge University press<\/td>2005<\/td><\/td><\/tr>
The art of building in the classical world<\/td>John R. Senseney<\/td>Cambridge University Press<\/td>2011<\/td><\/td><\/tr>
The architecture of Roman temples: The Republic to Middle Empire<\/td>John W. Stamper<\/td>Cambridge University Press<\/td>2005<\/td><\/td><\/tr>
Etruscan and Early Roman architecture<\/td>Alex Boe»thius<\/td>Pelican (Penguin books)<\/td>1978<\/td>first 1970<\/td><\/tr>
Classical Art: From Greece to  Rome<\/td>Mary Beard, John Henderson<\/td>Oxford University Press<\/td>2001<\/td>Oxford History of Art<\/td><\/tr>
The Oxford handbook of Greek and Roman art and architecture<\/td>ED Clemente Marconi<\/td>Oxford University Press<\/td>2014<\/td><\/td><\/tr>
Catalogue of the Cypriot, Greek and Roman stone sculpture<\/td>Irene Bald Romano<\/td>University of Pennsylvania Museum <\/td>2006<\/td><\/td><\/tr>
Greek and Roman sculpture in America<\/td>Cornelius C.Vermeule<\/td> J. Paul Getty Museum, Un-ty of California Press<\/td>1981<\/td><\/td><\/tr>
A companion to Roman art<\/td>ED Barbara E.Borg<\/td>Wiley Blackwell<\/td>2015<\/td><\/td><\/tr>
A handbook of Roman art<\/td>ED Martin Henig<\/td>Cornell University press<\/td>1983<\/td><\/td><\/tr>
A History of Roman art<\/td>Steven L.Tuck<\/td>Wiley Blackwell<\/td>2015<\/td><\/td><\/tr>
A history of Roman art: Enhanced edition<\/td>Fred S. Kleiner <\/td>Wadsworth Cengage learning <\/td>2010<\/td>first 2007<\/td><\/tr>
Arte romana<\/td>Paul Zanker <\/td>Editori Laterza<\/td>no data<\/td><\/td><\/tr>
Roman art: A resource for educators<\/td>Nancy L.Thompson<\/td>The Met museum press<\/td>2007<\/td><\/td><\/tr>
\u0420\u0438\u043c\u0441\u043a\u0438\u0439 \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u0443\u0440\u043d\u044b\u0439 \u043f\u043e\u0440\u0442\u0440\u0435\u0442<\/td>\u041d.\u041d.\u0411\u0440\u0438\u0442\u043e\u0432\u0430, \u041d.\u041c.\u041b\u043e\u0441\u0435\u0432\u0430, \u041d.\u0410.\u0421\u0438\u0434\u043e\u0440\u043e\u0432\u0430<\/td>\u041c, \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e <\/td>1975<\/td><\/td><\/tr>
Roman portraits in context<\/td>Jane Fejfer<\/td>De Gruyter<\/td>2008<\/td><\/td><\/tr>
Roman portraits in the Getty Museum <\/td>Jiri Frel <\/td>The  J. Paul Getty Museum<\/td>1981<\/td><\/td><\/tr>
Roman sculpture <\/td>Diana E.E.Kleiner<\/td>Yale University press<\/td>1992<\/td><\/td><\/tr>
Etruscan art<\/td>Nigel Spivey<\/td>Thames&Hudson<\/td>1997<\/td>World of art<\/td><\/tr>
L’arte degli Etruschi<\/td>Mario Torelli <\/td>Editori Laterza <\/td>1985<\/td><\/td><\/tr>
The Land of the Etruscans: From Prehistory to Medieval Age<\/td>ED Salvatore Settis<\/td>Scala books<\/td>1985<\/td><\/td><\/tr>
Arte e archeologia delle province romane <\/td>G.Bejor, Maria Teresa Grassi, S. Maggi, F.Slavazzi<\/td>Mondadori universita<\/td>2011<\/td><\/td><\/tr>
Roman and Etruscan painting<\/td>Arturo Stenico<\/td>The Viking press<\/td>1963<\/td>The Compass history of art<\/td><\/tr>
Greek, Etruscan, and Roman art: The Classical collection of the Museum of Fine Arts. Boston<\/td>George H.Chase<\/td>The Museum of fine Arts. Boston<\/td>1963<\/td>1950<\/td><\/tr>
Perspective in the visual culture of classical antiquity<\/td>Rocco Sinisgalli <\/td>Cambridge University Press<\/td>2012<\/td><\/td><\/tr>
Pliny’s Catalogue of culture: Art and Empire in the Natural History<\/td>Sorcha Carey<\/td>Oxford University Press<\/td>2003<\/td><\/td><\/tr>
The social life of painting in Ancient Rome and on the Bay of Naples <\/td>Eleanor Winsor Leach<\/td>Cambridge University press<\/td>2014<\/td><\/td><\/tr>
The learned collector: Mythological statuettes and classical taste in late antique Gaul<\/td>Lea M. Stirling <\/td>The University of Michigan press<\/td>2005<\/td><\/td><\/tr>
Life, Death and Representation: Some new work on Roman sarcophagi<\/td>ED Jas Elsner, Janet Huskinson<\/td>De Gruyter<\/td>2011<\/td><\/td><\/tr>
Un’arte per l’impero: Funzione e intenzione delle immagini nel mondo romano <\/td>Paul Zanker<\/td>Electa<\/td>2002<\/td><\/td><\/tr>
The Afterlife of Greek and Roman sculpture<\/td>ED Troels Myrup Kristensen, Lea Stirling<\/td>The University of Michigan press<\/td>2019<\/td><\/td><\/tr>
Roman frescoes from Boscoreale<\/td>B.Bergmann, S. De Caro, J.R.Mertens, R.Meyer<\/td>The MET museum press<\/td>2010<\/td><\/td><\/tr>
Winckelmann’s Images from the ancient world:<\/td>Johann Joachim Winckelmann<\/td>Dover books<\/td>2010<\/td><\/td><\/tr>
<\/td><\/td><\/td><\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

\u041a\u0443\u043b\u044c\u0442\u0443\u0440\u0430, \u0438\u0441\u0442\u043e\u0440\u0438\u044f, \u0441\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f, \u043e\u0442\u0434\u0435\u043b\u044c\u043d\u044b\u0435 \u0432\u043e\u043f\u0440\u043e\u0441\u044b \u043f\u043e \u0414\u0440\u0435\u0432\u043d\u0435\u043c\u0443 \u043c\u0438\u0440\u0443 — \u0421\u042e\u0414\u0410 \u041f\u0440\u043e\u0438\u0441\u0445\u043e\u0436\u0434\u0435\u043d\u0438\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430. \u0414\u0440\u0435\u0432\u043d\u0435\u0439\u0448\u0435\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u041f\u0440\u043e\u0438\u0441\u0445\u043e\u0436\u0434\u0435\u043d\u0438\u0435 \u0438\u0437\u043e\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0410.\u0414. \u0421\u0442\u043e\u043b\u044f\u0440  \u041c, \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e  1985 \u0414\u0440\u0435\u0432\u043d\u0435\u0439\u0448\u0438\u0439 \u043e\u0431\u0440\u0430\u0437…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1517,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1922","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages\/1922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1922"}],"version-history":[{"count":76,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages\/1922\/revisions"}],"predecessor-version":[{"id":2018,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages\/1922\/revisions\/2018"}],"up":[{"embeddable":true,"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=\/wp\/v2\/pages\/1517"}],"wp:attachment":[{"href":"https:\/\/spb-contemporary.ru\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}