Russian art in the 20th cen.
| The Russian experiment in art, 1963-1922 | Camilla Grey | Thames& Hudson | 2000 | 1962 |
| Faster, higher, stronger, comrades! | Tim Harte | The University of Wisconsin press | 2020 | |
| L’avant-garde russe | Evgueni Kovtoune | Parkstone press/Confidentinal concepts | ||
| Soviet salvage: Imperial debris, Revolutionary reuse, and Russian constructivism | Catherine Walworth | Pennsylvania University press | 2017 | |
Modern and Contemporary Art. Histories (including new medias)
| Performance art:From Futurism to the Present | RoseLee Goldberg | Harry N. Abrams | 1979 | |
| From technological to virtual art | Frank Popper | The MIT press | 2007 | |
| A history of video art | Chris Meigh-Andrews | Bloomsbury | 2006 | |
| Post-Impressionism to World war two | ED Debbie Lewer | Blackwell | 2006 | Blackwell anthologies in art history |
| La historia del collage. Del cubismo a la actualidad | H.Wescher | Editorial Gustavo Gili | 1976 | in Spanish |
| Art to come: Histories of Contemporary art | Terry Smith | Duke University press | 2019 | |
| After Modern art, 1945-2000 | David Hopkins | Oxfrod University press | 2000 | |
| The Arts: A History of expression in the 20th century | ED Ronald Tamplin | Oxfrod University press | 1991 | |
| Encyclopedia of postmodernism | ED Victor E.Taylor, Charles E.Winquist | Routledge | 2001 | |
| Postwar Italian art history today: Untying the knot | Sharon Hecker, Martin R.Sullivan | Bloomsbury | 2018 | |
| Dictionnaire amoureux de l’art moderne et contemporain | Pierre Nahon | Plon | 2014 | |
| American art since 1945 | David Joselit | Thames&Hudson | 2003 | World of Art |
| British art since 1900 | Frances Spalding | Thames& Hudson | 1986 | World of Art |
| Art incorporated: The story of contemporary art | Julian Stallabrass | Oxfrod University press | 2004 | |
| Contemporary art: World currents | Terry Smith | Prentice Hall | 2011 | |
| Movements in art since 1945 | Edward Lucie-Smith | Thames&Hudson | 1984 | World of Art, first 1969 |
| Lives of the great 20th century artists | Edward Lucie-Smith | Rizzoli | 1986 | |
| Late Modern: The visual arts since 1945 | Edward Lucie-Smith | Praeger | 1969 | |
| Art since 1900 | H.Foster. R. Krauss, Y-A. Bois, B.H.D.Buchloh, D.Joselit | Thames&Hudson | 2016 | World of Art, first 2004 |
| Contemporary art: 1989 to the present | Ed Alexander Dumbadze, Suzanne Hudson | Wiley-Blackwell | 2013 | |
| History of Modern art | H.H.Arnason, Elizabeth C.Mansfield | Pearson education | 2013 | first 2004 |
| L’arte contemporanea: Da Cezanne alle ultime tendenze | Renato Barilli | Feltrinelli | 2005 | |
| Decouvrir et comprendre l’art contemporain | Dominique Benard, Anne-Marie Houdeville, Alain Bourdie | no data | ||
| L’arte contemporanea | Angela Vettese | Il Mulino | 2012 | |
| L’Art du XX siecle | Dorothea Eimert | Parkstone press/Confidentinal concepts | ||
| L’arte moderna | GiulioCarlo Argan | no data | ||
| The story of contemporary art | Tony Godfrey | Thames&Hudson | 2020 | |
| What are you looking at? | Wil Gompertz | Plume (Penguin books) | 2012 | |
| Art since 1989 | Kelly Grovier | Thames&Hudson | 2015 | first 1999 |
| Comprendre l’art moderne | Fabrice Midal | 2007 | ||
| A concise history of modern painting | Herbert Read | Praeger | 1959 | |
| Contemporary art: A very short introduction | Julian Stallabrass | Oxfrod University press | 2006 | first 2004 |
| Painting and sculpture in Europe, 1880-1940 | George Heard Hamilton | Penguin books | 1981 | Pelican history of art, 1967 |
| The History of impressionism | John Rewald | The MOMA | 1961 | |
| The Oxford companion to twentieth-century art | Ed Harold Osborne | Oxfrod University press | 1981 | |
| L’art contemporain | Isabelle de Maison Rouge | Le Cavalier bleu | 2009 | |
| A dictionary of the avant-gardes | Richard Kostelanetz | Routledge | 2019 | |
| Art in Vienna, 1898-1918: Klimt, Kokoschka, Schile and their contemporaries | Peter Vergo | Phaidon | 1975 | |
| Histories of the immediate present: Inventing architectural modernism | Anthony Vidler | the MIT press | 2008 | |
| Form and space: Sculpture of the 20th century | Eduard Trier | Praeger | 1968 | first 1960 |
| From Van Gogh to Picasso, from Kandinsky to Pollock: Masterpieces of the modern art | catalogue | Solomon R. Guggenheim Museum | 1990 |
Modern and Contemporary Art. Movements
| Art Nouveau: The essential reference | Carol Belanger Grafton | Dover publications | 2015 | ornament reference books |
| Impressionismo | Bernard Denvir | Giunti | Art dossier | |
| American impressionism and realism: The painting of modern life, 1985-1915 | H.Barbara Weinberg, Doreen Bolger, David Park Curry | The MET | 1995 | |
| Simbolismo | Maria Teresa Benedetti | Giunti | Art dossier | |
| El Simbolismo | Nathalia Brodskaia | Confidential Concepts, USA, Sirrocco, London | in Spanish | |
| Minimal Art | Daniel Marzona | Taschen | 2004 | |
| Digital art | Christiane Paul | Thames&Hudson | World of Art | |
| Digital art history vol 1 | ED Anna Bentkowska-Kafel, Trish Cashen, Hazel Gardiner | Intellect | 2005 | |
| Expressionism: German painting, 1905-1920 | Paul Vogt | Harry N. Abrams | 1978 | |
| German Expressionism: The graphic impulse | Starr Figura | MoMA | 2011 | catalogue |
| Expressionism: A German intuition, 1905-1920 | catalogue of the exhibition | Solomon R. Guggenheim Museum | 1980 | |
| German Expressionism, 1915-1925: The second generation | ED Stephanie Barron | LA County Museum of art/ Prestel | 1988 | |
| German Expressionist Prints and drawings, in 2 volumes | Bruce Davis | LA County Museum of art/ Preste | 1989 | |
| Dada | Marta Ragozzino | Giunti | Art dossier | |
| Dada:Art and anti-art | Hans Richter | Thames&Hudson | 1985 | World of art, 1964 |
| Dada and surrealism: A very short introduction | Dvid Hopkins | Oxfrod University press | 2004 | |
| A companion to Dada and surrealism | ED David Hopkins | Wiley-Blackwell | ||
| Bauhaus Archive, 1919-1933 | Magdalena Droste | Taschen | 2015 | |
| Surrealismo | Guiliano Serafini | Giunti | Art dossier | |
| Histoire du surre’alisme | Maurice Nadeau | Editions du Seuil | ||
| Arte Elettronica | Silvia Bordini | Giunti | ||
| Astrattismo | R.Bossaglia, R.Siligato, F.Menna, L.Caramel, M.Vescovo | Giunti | Art dossier | |
| Nouva Oggettivita’ | Antonello Negri | Giunti | Art dossier | |
| Cubismo | Jolanda Nigro Covre | Giunti | Art dossier | |
| Cubism | Guillaume Apollinaire, Dorothea Eimert | Confidential concepts/Parkstone press | ||
| Cubism | Linda Bolton | Peter Bedrick books | 2000 | Art revolutions |
| Cubism: A history and an analysis, 1907-1914 | John Golding | ADAGP, Paris, DACS, London | 1987 | |
| Cubism | Nicholas Wadley | Hamlyn | 1970 | |
| Cubism and futurism: Spitirual machines and the cinematic effect | R.Bruce Elder | Wilfrid Laurier University press | 2017 | |
| Transavanguardia | Achille Bonito Oliva | Giunti | Art Dossier | |
| The Fauves | Nathalia Brodskaia | Confidential concepts/Parkstone press | ||
| Conceptual art | Daniel Marzona | Taschen | 2005 | |
| Installation art | Claire Bishop | Tate publishers | ||
| Art after conceptual art | ED Alexander Alberro, Sabeth Buchmann | The MIT press, General Foundation (Vienna) | 2006 | |
| A companion to Public art | Ed Cher Krause Knight, Harriet F.Senie | Wiley-Blackwell | 2016 | |
| Routledge handbook of graffiti and street art | ED Jeffrey Ian Ross | Routledge | 2016 | |
| Situazionismo | Ugo Nespolo | Giunti | Art dossier | |
| Realismo magico | Antonello Negri | Giunti | Art dossier | |
| Pop Art | Maurizio Calvesi, Alberto Boatto | Giunti | Art dossier | |
| Pop Art | Eric Shanes | Parkstone press/Confidentinal concepts | ||
| New media: A critical introduction | Martin Lister, Jon dovey and others | Routledge | 2009 | first 2003 |
Modern and Contemporary Art. Artists
Основной лист «Современные художники» — туда
| Morandi’s Legacy: Influences on British Art | Paul Coldwell | Philip Wilson Publishers | 2006 | exhibition catalogue |
| Maurizio Cattelan: Autobiografia non autorizzata | Francesco Bonami | Mondadori | 2011 | |
| Banksy. Urban art in a material world | Ulrich Blanche’ | Tectum | 2016 | |
| In Montmarte: Picasso, Matisse and the birth of modernist art | Sue Roe | Penguinpress | 2015 | |
| The private worlds of Marcel Duchamp: Desire, liberation, and the self in modern culture | Jerrold Seigel | University of California press | 1997 | |
Modern and Contemporary (Art). Texts, Studies, Theories, etc
| The Transformative power of performance | Erika Fischer-Lichte | Routledge | 2008 | есть русская версия |
| Applying performance: Live art, socially engaged theatre and affective practice | Nicola Shaughnessy | Palgrave Macmillan | 2012 | |
| Digital performance: A history of new media in theater, dance, performance art, and installation | Steve Dixon | The MIT press | 2007 | |
| Exploring site-specific art: Issues of space and internationalism | Judith Rugg | I.B. Tauris, London | 2010 | |
| Moving sites: Investigating site-specific dance performance | Ed Victoria Hunter | Routledge | 2015 | |
| Performing site-specific theatre | ED Anna Birch, Joanne Tompkins | Palgrave Macmillan | 2012 | |
| Site-specific art: Performance, place and documentation | Nick Kaye | Routledge | 2000 | |
| The artist’s body | ED Tracey Warr | Phaidon | 2000 | |
| The Life of forms in art: Modernism, organism, vitality | Brandon Taylor | Bloomsbury Visual arts | 2020 | |
| Assemblage theory | Manuel DeLanda | Edinburgh university press | 2016 | |
| The Contingent Object of Contemporary art | Martha Buskirk | The MIT press | 2003 | |
| Art and Technology in the 19th and 20th cen | Pierre Francastel | NY, Zone books | 2000 | |
| Modern art:19th and 20th cen.Selected papers | Meyer Schapiro | NY, George Braziller | 1968 | |
| Impressionism:Reflections and Perceptions | Meyer Schapiro | no data | ||
| Style | Meyer Schapiro | article | 1953 | |
| Style, artiste and societe’ | Meyer Schapiro | Gallimard | 1982 | in French |
| On Freud’s Forgetting of «Signorelli» | Meyer Schapiro | article | 2019 | |
| The Still-life as a personal object — a note on Heidegger and Van Gogh | Mayer Shapiro | article | ||
| Farewell to an idea: Episodes from a history of modernism | T.J.Clark | no data | 1999 | |
| Art in progress: A Philosophical response to the end of the Avant-Garde | Maarten Doorman | Amsterdam University press | 2003 | |
| Contemporary art and memory: Images of recollection and remembrance | Joan Gibbons | I.B. Tauris, London | 2007 | |
| Installation and a moving image | Catherine Elwes | Wallflower press, London | 2015 | |
| A’ l’avant-garde! : Art et Politique dans les anne’es 1960 et 1970 | Malika Combes, Igor Contreras Zubillaga and others | P.I.E.Peter Lang | 2013 | |
| Aesthetic Rivalries: Word and Image in France, 1880-1926 | Linda Goddard | Peter Lang | 2012 | |
| Estetica dell’arte contemporanea | Ed Giovanni Ferrario | Meltemi | 2019 | |
| Abstract video: The moving image in contemporary art | ED Gabrielle Jennings | University of California press | 2015 | |
| «Degenerate art»: The fate of the avant-garde in Nazi Germany | Stephanie Barron and others | Harry N. Abrams | 1991 | LA County Museum of Art |
| Art in the Third Reich | Berthold Hinz | Pantheon books | 1979 | first 1974 |
| Art in the Third Reich | D.Midow | no data | ||
| Art of suppression: Confronting Nazi past in histories of visual and performing arts | Pamela M. Potter | University of California press | 2016 | |
| The arts in Nazi Germany: Continuity, conformity, change | Ed Jonathan Huener, Francis R. Nicosia | Berghahn books | 2009 | 2007 |
| Berlin Electropolis: Shock, nerves and German modernity | Andreas Killen | University of California press | 2006 | |
| La Nature de l’art abstrait | Meyer Schapiro | Editions Allia | 2013 | |
| Realism in the age of impressionism: Painting and the Politics of time | Marnin Young | Yale University press | 2015 | |
| Re-visioning arts and cultural policy:Current impasses and future directions | Jennifer Craik | The Australian National University | 2007 | |
| Art and social change: Contemporary art in Asia and the Pacific | ED Caroline Turner | Pandanus books | ||
| Artificial hells: Participatory art and the politics of spectatorship | Claire Bishop | Verso | 2012 | |
| Arthur Danto: Philosopher of Pop | Tiziana Andina | Cambridge Scholars publishing | 2011 | |
| Incursioni: Arte contemporanea e tradizione | Salvatore Settis | Feltrinelli | 2020 | |
| Rosalind Krauss and American philosophical art criticism | David Carrier | Praeger | 2002 | |
| The radical use of chance in 20th century art | Denis Lejeune | Rodopi | 2012 | |
| Le paradigme de l’art contemporain | Nathalie Heinich | Gallimard | 2014 | |
| The anti-aesthetic: Essays on postmodern culture | ED Hal Foster | Bay press | 1983 | |
| The painting of modern life: Paris in the art of Manet and his followers | T.J.Clark | Thames&Hudson | 1984 | |
| Aesthetic revolutions and the 20th-cen avant-garde movements | ED Ales’ Erjavec | Duke University press | 2015 | |
| Painting outside the lines: Patterns of creativity in modern art | David W.Galenson | Harvard University press | 2001 | |
| Art contemporain: Manipulation and ge’opolitique | Aude de Kerros | Editions Eyrollers | 2020 | |
| Globalizing contemporary art | Lotte Philipsen | Aarhus University press | 2010 | |
| My love affair with modern art | Katharine Kuh | Arcade publishing | 2012 | |
| Anywhere or not at all: Philosophy of contemporary art | Peter Osborne | Verso | 2013 | |
| Conceptual revolutions in 20th-cen art | David W.Galenson | Cambridge University press | 2009 | |
| Art and Form: From roger Fry to global modernism | Sam Rose | The Pennsylvania State University | 2019 | |
| After art | David Joselit | Princeton University press | 2013 | |
| Alle origini dell’opera d’arte contemporanea | ED G.Di Giacomo, C. Zambianchi | Editori Laterza | 2008 | |
| An anthropology of contemporary art: Practices, markets and collectors | Ed Thomas Fillitz, Paul van der Grijp | Bloomsbury | 2018 | |
| Ars attack: Il bluff del contemporaneo | Angelo Crespi | Johan&Levi editori | 2013 | |
| L’arte nel cesso: Da Duchamp a Cattelan, ascesa e declino dell’arte contemporanea | Francesco Bonami | Mondadori | 2017 | |
| POST.L’opera d’arte all’epoca della sua reproducibilita’ sociale | Francesco Bonami | Feltrinelli | ||
| Si crede Picasso | Francesco Bonami | Mondadori | 2010 | |
| Metonymy in contemporary art: A new paradigm | Denise Green | University of Minnesota press | 2005 | |
| Shadows of reality: The fourth dimension in relativity, cubism, and modern thought | Tony Robbin | Yale University press | 2006 | |
| Shadows, spectres, shards: Making history in avant-garde film | Jeffrey Scoller | The University of Minnesota press | 2005 | |
| The psycology of contemporary art | Gregory Minissale | Cambridge University press | 2013 |